The weird tale has shades of the Twilight Zone “Little Girl Lost” and symbolism reminiscent of “The Tell Tale Heart”. Daniel and Valeria can hear the dog, but cannot see it they do, however, see huge rats underneath the floor boards. Then, Richie jumps into a hole in their unfinished living room and doesn’t come back. She soon after breaks her leg in the aforementioned car crash and it looks like her modeling career may be over (a large perfume billboard ad featuring her and her long legs leers over their apartment from across the street). A celebrity supermodel, Valeria (Goya Toledo), moves into a new apartment with her magazine-editor lover, Daniel (Álvaro Guerrero) – who’s just left his wife and family for her - and her beloved dog, Richie. Amores may have been influential in the 2017 outlawing of dog fighting in Mexico.Īmores‘ second tale, “Daniel y Valeria”, may remind you of how quickly life can go wrong. Although the producers claim no animals were harmed during the production of the film, the fights are ferocious, vicious-looking spectacles. Threatening Octavio to come up with the money to pay for his dead dog, Jarocho puts on the pressure, forcing Octavio to enter the dog fighting arena himself. Meanwhile, another local thug, Jarocho (Gustavo Sánchez Parra), involved in dog fighting competitions, allows his killer dog to attack Octavio’s rottweiler, Cofi, but his own dog is killed instead. Octavio tries to convince Susana to run away with him, to no avail. (Did Amores Perros influence the weaker and preachier Crash (2005)?) Amores‘ first story, “Octavio y Susana” is a tale of the lower-class Octavio (Gael García Bernal), in love with the wife, Susana (Vanessa Bauche), of his thuggish and abusing brother Ramiro (Marco Pérez). The 153-minute look at Mexico City nineteen years ago begins with a car crash, where all the divergent stories the film tells will converge. You may also find yourself rooting more for the dogs than some of the cruel characters exhibited.
#Goya toledo amores perros movie#
The title’s ironic, because as much love is shown in the movie by humans to dogs than to other humans.
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Terrifying but tender, jagged but sophisticated, and completely compelling, Amores Perros is only as difficult as you want it to be.Alejandro Iñárritu’s first feature film is a Mexican crime drama whose title could be roughly translated as “Love’s a Bitch”. Rescuing Cofi from the opening car-crash offers him a strange opportunity for redemption.
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In the third tale, an old vagabond and contract killer name El Chivo (Emilio Echevarra) turns out to be a former political terrororist who had abandoned his family years before. Meanwhile her beloved little dog Richie has disappeared under the floorboards of their love-nest.
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The second strand concentrates on a beautiful model, Valeria (Goya Toledo), whose injuries threaten her illicit relationship with married man Daniel (Alvaro Guerrero), as well as her own sanity. Having discovered that the family Rottweiler, Cofi, has an unexpected talent for winning illegal dogfights, Octavio embarks on a scheme to make enough cash in this way to run away with Susana.īut violence and betrayal are just a shot away. The first of them, Octavio (Gael Garcia) is a teenager in love with his brother Ramiro's wife, Susana (Vanessa Bauche). The three tales in the film pivot around a shocking, bloody and confusing car accident that in the opening scene which momentarily brings together three of its key characters. That description is justified only in so far as both films share a similar structure - three apparently self-contained stories that overlap and reflect on each other in unexpected ways which play tricks with time, place and characters. That aside, this film is even better than its description, 'the Mexican Pulp Fiction' would lead you to believe. CornerhouseĪward-winning Amores Perros - tamely translated as Love Is A Bitch - has been in a censorship tussle in the UK over its powerful but upsetting scenes of dog-fighting. Starring Emilio Echevarria, Gael Garcia, Goya Toledo, Alvaro Guerrero.